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[personal profile] pbray
I recently bought the first book in an epic fantasy series by a new author. I'd heard good things about it, and I'm always glad to buy an author's first book.

In the first chapter the reader is introduced to character Alpha. In just a few paragraphs Alpha comes vividly to life, and by the time the chapter ends I can't wait to read more to find out what happens to Alpha next.

Except chapter two starts somewhere else. A different country/city, and I'm now introduced to Beta. Beta also captures my interest, though I'm still wondering how Alpha fits in. But I remember that the backcover copy mentioned three central characters so I'm not distressed. Yet.

Chapter three introduces Gamma. Same thing--new person, different place. Chapter four introduces Delta. At this point I get a sinking feeling in my stomach and flip through the pages. Sure enough, chapter five and six have new viewpoint characters. (I couldn't bear to check chapter seven....)

And guess what? I've stopped caring about any of them. By the time we get back to Alpha's story, or Beta's, etc., I'll no longer remember what they were doing or why I was interested. As a reader I no longer trust the author to deliver what I'm looking for-- at this point the characters become indistinguishable talking heads.

There were signals, of course, that this was going to be one of those fantasy novels, which I had missed or failed to look for. Mentioning three central characters on the backcover is a sign that there are at least three, not at most. And if I'd opened it up to flip through the pages I would have seen the headings at the start of each chapter identifying the viewpoint character.

Sigh. I know there is a market for these fantasies, and that there are legions of passionate fans who enjoy similar series. But I'm not one of them; which, I suspect, is why I can't write such a series. In reading, as in my life, I prefer a small circle of very good friends rather than being surrounded by dozens of acquaintances.

Ah well, lesson learned, and another author put in the column of "Good, but not for me." And I can always pass the book on to someone who does enjoy that kind of series, and hopefully the author will find a new fan.

(no subject)

Date: 2011-05-30 03:11 pm (UTC)
From: [identity profile] desperance.livejournal.com
Just to provide a contrary voice: I love books that offer half a dozen points of view, that let you see a story building from all sides. Not all the time - I also love first-person narratives, and intimate third-persons, and and and - but the multi-POV narrative exercises different reader-muscles and calls for a different level of engagement with the text. Which I value. Just as I value the different challenges of writing that way, which I do. But not all the time...

(no subject)

Date: 2011-05-31 01:27 pm (UTC)
From: [identity profile] pbray.livejournal.com
It's good to hear your point of view. I know that there are people out there who enjoy these works-- my best friend from college is passionate about multi-pov epics that drive me up the wall. And based on sales, it seems there are a significant number of readers who share her love.

It's definitely a matter of personal taste. But I also think this is why I was such a failure when I tried to write one of these--because I didn't enjoy the format I wasn't interested in writing it either.

Thinking about it, another factor may be how much time you have to read. If you're only reading one or two chapters a week, it's much harder to keep multiple storylines in your head than if you're devouring the entire book over the span of a few days.

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