World Fantasy Schedule

[pbray]

Here's my schedule for World Fantasy:

Thursday 8:00 PM
The Bathroom: Necessities of World-Building

Friday 11:00 AM
Broad Universe Rapid Fire Reading. I'll be one of the ten authors doing a five minute reading.

Friday 8:00 PM - 10:30 PM
Mass Autographing. I'll have lizards, postcards of the new bookcover, and will cheerfully autograph anything that isn't nailed down.

Saturday 3:00 PM - 5:00 PM
LJ party @ Lobby Bar

Saturday 8:00 PM
A Maze Demands a Minotaur


Thursday 8:00 PM - 9:00 PM
The Bathroom: Necessities of World-Building
Just as a livable house needs space for the mundanities of daily life, a good fantasy world needs to provide a workable society. How do you create a world with a reasonable economy, food supply, toothbrushes, and plumbing? After you've done your research, how much of it do you show your reader?

Elizabeth Bear, Patricia Bray, Charles Coleman Finlay, Sarah Monette, Kristine Smith (M)


Friday 11:00 AM - Noon
Broad Universe Rapid Fire Reading. I'll be one of the ten authors doing a five minute reading. It's a great chance to sample different authors in a short period of time, plus this will be my first public reading from THE FIRST BETRAYAL.

Friday 8:00 PM - 10:30 PM
Mass Autographing. Stop by to say "Hi" and admire the lizards. I should have postcards of the new bookcover available.

Saturday 3:00 PM - 5:00 PM
LJ party @ Lobby Bar

Saturday 8:00 PM - 9:00 PM
A Maze Demands a Minotaur
The surrounding architecture shapes our expectations of the creatures we'll find within. A minotaur is expected at the heart of a stone maze, but the Empire State Building requires a very different monster. The panelists will explore a variety of fictional and real places, and the monsters and stories that belong in them. How does architecture shape reader expectations of the creatures (and stories) that inhabit a world? How can writers use these expectations to add depth to a story, or play with them to surprise the reader?

Carol Berg, Patricia Bray (M), David D. Levine, Michael Shea, Walter Jon Williams

Comments

[pbray.livejournal.com]

Wow, I'm impressed that you were able to put your finger on it so quickly, from my incoherent description.

It's one of those ironies of history that what people thought worth saving were the works of great literature, but it is the domestic details that they considered too trivial to be saved that make the era come alive for us.